Miz Jones will be working with filmmakers Christopher Pomerenke and
Ryan Page, who's documentary,
, examined the emotion and science of music. See the trailer
for that film at the
Casting of Songs
and Dances of Imaginary Lands
Auditions for Songs
and Dances of Imaginary Lands are being
held in mid-April in Culver City. Overtone
Industries is accepting submissions until April
7, 2010.
National Endowment of the Arts
Grant
Overtone Industries has officially been
awarded the NEA Grant for the production on
Songs And Dances of Imaginary Lands!!!
Spontaneous Combustion Choir
The Spontaneous Combustion Choir is a group
of singers creating instant music built from a
series of exercises invented by Miz Jones and
evolving during rehearsal. It brings together
singers of all styles and levels of training in
a format that allows for wonderfully unique
cohesive and spontaneous choral improvisation.
We are looking toward performing in the early
summer.
Performances and rehearsals contain various
configurations of the following singers:
-
Eric Castro
-
Julie Christensen
-
Patty Cornell
-
Halldor Enard
-
Max Faugno
-
John Fleck
-
Karole Foreman
-
Gregory Franklin
-
Elizabeth Guilliams
-
Alan House
-
Brian Reid
-
Ken Roht
-
Heidi Swedberg
-
Cesili Williams
-
Silvie Zamora
…as well as many guest artistes and out-of-town
drop-ins. If you are interested in
participating, contact
O-Lan@[remove this text]overtoneindustries.org
Interview with O-Lan Jones
Martin Perlich, host of Arts & Roots Forum (ARF!)
and program director for KCSN FM 88.5,
interviewed Miz Jones about our new CD. Perlich
has commented that the opera …"is a work at once
determinedly modern, yet accessible for its
originality, freshness, depth of feeling and
unique blend of rhythmic vitality and compelling
lyricism. I was, I confess, moved to tears. I
commend Miz Jones and Ms. Cramer for …such a
forward-looking yet timeless work…"
Click below to download the complete interview
(sans music):
CD tracks available for download
The following tracks from the CD are now
available for download. Click below to listen,
to download the songs, right-click (ctrl-click
on a mac) and choose "save link as".
Overtone Records Its First CD: 'The
Woman Who Forgot Her Sweater'
We're very excited to announce that the first
of a projected five CDs has been recorded
thanks, in part, to a $15,000 grant from the
Argosy Foundation's Contemporary Music Fund.
The completed CD is now available, just in time
for holiday! Donation will be $20 per CD and
advance orders may be requested by contacting CD
Project Manager, Nicole Roehm at
nicole@[remove this text]overtoneindustries.org.
Look for a postcard announcement in your mailbox
in a few weeks. You may also order CDs online
through PayPal.
Important Note: Shipping and handling is
$2 for the first disk and $1.50 for each
additional disk. You may only purchase up to 5
CDs at a time through PayPal, for larger
quantities please contact Nicole Roehm at
nicole@[remove this text]overtoneindustries.org.
The recording is of The Woman Who Forgot Her
Sweater which premiered at the [INSIDE] the Ford
Theatre in 2001 starring our resident diva,
Gretchen Johnson, with Lioness-Goddesses Melody
Butiu, Patty Cornell, Michele Mais, Wanda-Lee
Evans, and Silvie Zamora. Richard Miro as The
Husband and Julie Christensen as Claire recreate
their roles on the CD. Newcomers (to Overtone)
are Nmon Ford who sings the role of the Overseer
and Mary Joy Deocariza who sang the role of the
Maid.
Musical conductor for the CD was David O and
Producer was John Ballinger. Our esteemed
composer O-Lan Jones and incredible librettist
Kathleen Cramer created new words and music to
develop an expansive battle between the
Lionesses and The Woman that made a wonderful
addition to the work.
The recording includes the use of five unique
“invented instruments” created by the inimitable
musicologist Bart Hopkin. Also contributing
music were percussionist James Snodgrass who
repeats his Ford Theatre performance plus
harpist Paul Baker, cellist April Guthrie,
flutist Jen Roth, plus Ballinger on clarinet and
David O on piano.
We had the very able assistance of Anna Woo as
stage manager and Eric Arm was our resident
studio engineer-genius at Headroom Audio where
we recorded the opera.
The story of "Sweater," as many of you may
remember, centers around The Woman who arrives
too late to speak to her dying mother. Her
return to the family estate in the jungle is
threatened by the presence of fearsome
lioness-goddesses. She leaves the safe family
home to retrieve her sweater in an outbuilding
only to be surrounded by the lionesses who
demand she take her place among them. Her
husband realizes she's been gone too long, stops
dallying with The Woman's sister, Claire, and
goes to find her. When The Woman sees him, she
doubts her abilities to take her place, loses
her footing in the lionesses' dances, and is
destroyed. There is, of course, much more to the
story that is best heard on our new CD!
Annenberg Foundation Awards Overtone Three-Year Grant
The Annenberg Foundation has awarded Overtone
Industries a three-year unrestricted grant of
$150,000 to support the company's programming
and general operating expenses The grant began
with a $75,000 check received in April and will
be followed by a $50,000 check in 2008 and
$25,000 in 2009.
The grant is a validating one that will help
Overtone build a very strong infrastructure to
support our many programming goals in the
future. Part of the funding is being used to
bring on Corbett Barklie as our development
director, and part supports our new CD recording
and booking venue projects for developed works.
The Foundation's grant is to "Support
[Overtone's] mission to create original stories
that resonate today," said Wallis Annenberg,
Vice President and a Trustee of the Foundation.
Established in 1989 by Walter H. Annenberg, the
Foundation provides funding to nonprofit
organizations in the U.S. and globally through
its headquarters in Radnor, Pennsylvania and
offices in Los Angeles. Its major program areas
are education and youth development; arts and
culture; civic; community and the environment,
and health and human services. In addition, the
Foundation operates a number of initiatives
which expand and complement these program areas.
The Annenberg Foundation exists to advance
public well-being through improved
communication. As the principal means of
achieving this goal, the Foundation encourages
the development of more effective ways to share
ideas and knowledge.
A $25,000 grant from the Foundation was
previously awarded to Overtone in 2006.